#I might need help at this point
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foreveralwaysanauthor · 1 year ago
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So, I've been busy a lot lately with chauffeuring my niece to the blueberry picking job she's taken on this summer and work, the latter of which isn't really a surprise, I'm sure, but, anyway, I've been listening to the new Outsiders musical and I just- 😭 There are so many songs I could use for stories/one-shots, but I need to write out little snippets of it all for now, because I can't keep them to myself anymore, and I need to write this out before I leave to work at camp for the summer lmaooo.
I'm going to start off by comparing some main characters. I won't go into much detail as the book/movie do it a far better justice than I ever could, but I'll compare them as best I can. You'll probably see a lot of similarities right off the bat, but trust me, it gets weirder the more you see how close they are. I swear, when I made these characters, I had outgrown my love for The Outsiders, but now it's like 👀 did I though? Anyway, yeah, onto the comparisons...
Ponyboy Curtis (Yes, that's his real name. 14, loves movies and books to escape reality, gets jumped by kids from the other side of town a lot) is most similar to Bentley. Pony is the main character and longs to escape Tulsa, Oklahoma and the ongoing (somewhat violent) feud between the prissy rich people on the West side of town (Socs or Socialites) and the blue-collar, hardworking people in poverty on the East side of town (Greasers). He dreams of more and uses books and movies as a way to mentally escape the area he lives in.
Sodapop Curtis (Again, yeah, that is his birth-given name. 16, works at a gas station to help their oldest brother with bills. Dropped out of school to work more after their parents passed away) I think is most like Royce. They're both hardworking and feel like they should do more to help their family. However, where Royce sort of struggles with being able to relax and be a kid, Soda feels like the rope in a game of tug-of-war as Pony and their older brother Darrel can sometimes be at each other's throats. He's their peacekeeper, but his efforts don't always work. Also, as an aside, Jason Schmidt from Rise of the Pink Ladies plays Sodapop in the musical and he is incredible!
Darrel "Darry" Curtis (The only one of the brothers with a normal name. 20, sole provider for his brothers, works pretty much all day, every day. Basically just a really exhausted, overworked guy who was forced to grow up too quickly and step up as parent to his brothers) is, you guessed it, Miles. I based a bit of Miles personality off of Darry anyway, so it's not that hard to see the similarities, but still. Unlike Miles being relatively secure financially (or so he claims in front of friends), Darry is struggling. He works from sunup until long after sundown to provide as much as he can, but it isn't easy. Pony doesn't really take in all that Darry does for him and Soda until something happens and it sort of hits him all at once, meanwhile, Bentley and Royce know full well what Miles does for them and are both immensely grateful.
Johnny Cade (16, best friend of Ponyboy, they get into a lot of trouble together. He's seen as the kicked puppy of the group as he was jumped not long before the story takes place and would have died if not for Pony and their friends.) I could see as August, especially after reading his info page. I won't go too far into things, but his home life was terrible, so he sometimes slept in the empty lot by their house to stay away from home. He doubted his family would care if he ended up dead, and sadly, I think he was right.
Dallas "Dally" Winston (17, wild card of the group, frequently in and out of jail for fighting with just about anyone) is a hard one to place, but I'd have to say he's probably a mixture of Zack and Butchy. Dallas was very protective of those he cared about, but he had a tendency to go about it all wrong. He had been behind bars more than anyone else in the group for a myriad of reasons, but he didn't regret a single night of it so long as it meant he protected one of his own.
Sherri "Cherry" Valance (16, is a Soc from the West side) would be most like Vivien, but I have a part of me that sees Carrie in her as well, and I'll explain more in a moment with a song. For now, just know that, in the show/movie/book, Pony has a crush on Cherry, but she seems to like Soda as she knows him from local rodeos where he does barrel racing. She says that more than once that it's easier to talk with Pony than with anyone from her side of the town, and they get along really well as friends throughout.
Now that I've done a bit of character comparison, I'm going to say that I could see this musical being inspiration for a What If? scenario (I know, I have a lot of those haha) where everything sort of takes place in the 60s in Myrtle Beach, before the boys leave town. I have a handful of other ideas as well for individual stories and one-shots, but just hear me out, alright? I promise, it gets good. Maybe, by the end of this, you'll be just as invested as I am; who knows?
Starting strong, we have the song Tulsa '67. Typical with most musicals, this is the introduction song that sets the scene, but I just love the way Brody Grant (Ponyboy) makes everything feel. Like, if you close your eyes, you can feel the world around you. Well, I can, at least. My small town was very similar back in the day - or so I've heard from my uncles.
Skipping to Runs in the Family, I have to say, this song is very Miles coded. I based a bit of Miles personality off of Darrel "Darry" Curtis anyway, so it makes sense, but this song just solidifies it for me. Brent Comer is amazing as Darry, but if I close my eyes, I can almost picture Miles singing this. Like, tell me some of those lyrics don't seem like they're taking them straight out of Miles' mind!
Next up is Great Expectations. I don't have a full idea for this one, but just hits different as a writer as well as someone who feels somewhat stuck in their town. It seems like there are only a rare few who make it out of the area, and when you're stuck there, you want to dream big, so that's what Ponyboy sings about. I can imagine this being either Miles or Royce (primarily Royce) singing, but I'll let you decide.
Now, let me just say that I Could Talk to You All Night gave me multiple ideas, but I'm going to keep my list short. My first instinct was a Miles and Carrie one-shot as it feels very much like them pre-relationship. Just a night where they realize that the chasm between their social classes isn't as wide as they were made to think it was, and they bond over simple things. My other thought was, of course, Royce and Vivien, for the same reason. Vivien's family is definitely at least upper middle class, but I feel like, if they were in school together at the same time, in a similar situation to the original story (Socs vs. Greasers), they'd find it somewhat awkward at first to get along before relaxing with each other and talking each other's ears off. Either way, it's adorable!
One song I have mixed ideas for is the reprise of Runs in the Family. Of course, the Murphy boys are my primary idea, but it's hard to imagine them arguing to that point. Then again... maybe that could be an interesting arc...
Run Run Brother has become one of my exercise songs, and it's been really motivational, but that's beside the point. The only idea I've had for this was that, after Miles leaves town, Royce and Bentley plan to follow him, but get held back by their father, who won't let them go without a fight. When he pins Bentley to the wall in a chokehold, Royce stabs him, takes Bentley, and they run to Uncle Tommy's, where this song takes place. I've had different versions of this one-shot in my mind before, but this one feels the most fleshed out.
Throwing in the Towel made me genuinely cry the first time I heard it. After the events of the last song I mentioned, Ponyboy and Johnny ran away, but Darry and Soda only find out what happened after they're long gone. Darry, of course, blames himself for everything, and I can just imagine this being Miles' reaction if Bentley were to ever run away from home for any reason. Also, seeing the live version on The Today Show made me so emotional, and the hug at the end of the video was very fitting.
The movie didn't do the book's version of Soda's Letter a justice, but the musical got it right. I can only imagine this following the last idea I gave you, so do with that as you will.
Little Brother is the type of song that feels like how a person with nothing left to lose would feel. Feeling like nobody cares about the people you've lost, nothing matters to you now without those people, and you've already crossed the line of no return, so why not go all the way? Even without having read the book or watched the movie, you can feel the heaviness of the lyrics as the song picks up. You probably don't want to know what I've had cooking in my head for this one, so I'm going to leave it for another time. Just know that I have things cooking already...
Now, I'll let you look into the rest of the show, but just know that I love it and hope to one day see it with the original cast. I've been a bit of a TikTok stalker lately, but my fyp is filled with Outsiders stuff anyway, so it's been great. Hopefully, you've liked my little ramble session because I'm about to tumble down my Outsiders obsession for the umpteenth time since I first read the book in the 8th grade. Anyway, have a great day! I have a bit of extra time to write today, so I'm going to use as much as I can.
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chiyana · 11 months ago
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this is the stupidest crossover possible but I want Tim to make House his doctor
yes that House
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why? He needs someone who is very good, will not give up or send Tim out to a different specialist just because his medical condition is difficult, will not be overly concerned about the danger Tim puts himself in, and will lie on Tim's medical records AND to Batman/Bruce Wayne/all of the Bats without hesitation or fear.
House is and will do all of those things without hesitation. He has no shame, no boundaries, he WILL get into a public fight with Bruce Wayne if it means keeping that man out of his patient's (and House's) business. He will help Tim lie to and gaslight the rest of his family without hesitation.
in exchange, Tim is his favorite patient. Not because they get along, necessarily, Tim is a know-it-all little shit and they constantly bicker and House hates how practically every facet of Tim's existence is a lie (and Tim thinks House is a smug know-it-all jackass who is needlessly cruel and callous bc he thinks the world owes him and never delivers just bc he's in pain, news flash a lot of people are in pain and manage not to be assholes) BUT, 1, Tim brings him really interesting cases and problems, and 2, Tim NEVER lies to House about his medical conditions or what he was doing when they happened.
He lies about literally almost everything else under the sun TO everyone else, but he is 100% completely upfront and honest about his medical history and what is going on with him with House.
admittedly it takes a while for House to realize Tim ISN'T lying to him because some of the shit he says is completely insane ("the vigilante thing is pretty obvious but what do you MEAN you got the Apocalypse virus TWICE, AND SURVIVED, AS A FOURTEEN-FIFTEEN YEAR OLD")
but once he realizes Tim doesn't ever lie to him, he becomes House's favorite patient because at least TIM gives him all of the data he needs as best he's able the moment he asks. At least House doesn't have to waste his time following up on bogus information or figuring out the truth, he can just get right into the meat of the medical issue at hand.
also it's so fun to lie directly to Batman's face, know the man knows, and know he can't do anything about it
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severalowls · 3 months ago
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The greatest cure to imposter syndrome is having to interact with a coworker who is even worse at everything but definitely gets paid more.
The only problem is then you replace imposter syndrome with becoming some kind of joker.
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metanarrates · 6 months ago
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Hello. Sorry if this a stupid question u can ignore if u want.
How can someone get better at media analysis? Besides obviously reading a lot.
Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?
I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!
it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of
first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.
which is a big concept to just describe off the bat, so let me break it down further!
in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.
personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.
other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)
another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!
that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.
^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.
so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!
now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?
and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.
as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?
sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol
but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.
uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes
find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.
also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.
above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!
thank you for the ask, and I hope you find this helpful!
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medicalunprofessional · 1 year ago
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never change, man !
#phantom of the paradise#potp#swan potp#nightmaretheater#65 layers and about 24 hours . Eeeyyuppp#Look into my beautiful mind boy#Its a bit unusual to what i usually draw#but i had to push a specific look for this piece#hopefully you all are picking up on the corperate look . the advertisment look#Sneeze. Anyways my point is industry destroys creative people. This includes swan#I feel like phrases like these ; how he was put on a pedistal…. it lead him to be Like That#as awful as he is he desperately needed help#it might seem like vanity on the surface#but i think its… more than that#long story short: we need to destroy the beauty industry. the skincare industry. the anti-aging industry#It ruined his psyche forever and he cant let go of the ideal version of himself he will never truly be again#i dont think he can at this point. hes in too deep and hes suffering for it no matter how much he feels hes fixed his problems#he cant accept a version of himself that isnt that perfect young man. because he never confronted his problems. he just ran away#anyways . Hi swath *punches him**kicks him*#i dont care if nobody gets me lalalalla my truths and headcanons are awesome forever and i live in my own reality lallaallal#sorry i think im gonna be posting about swan alot for a few months hes making me sick#i wass gonna post this earlier but my internet was real bad#*lays down in my pile of pillows* eat up boys. haha#sidenote: drawing white blond people is horrifiying. Boy your skin and hair are the same color. Introduce some contrast to yourself. Please#adding on: its inportant to note this focuses on him looking st himself in the mirror alot on purpouse#to remind himself what he ‘’’’really’’’’ looks like#the 4 middle pannels all represent that too . u have to be in my brain ri get this#sorry for unleashijg another swan essay in my tags. will happen again lol
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lifeonmvrs · 27 days ago
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thinking about how eurydice didn’t remember anything from her life because she was dead, but as soon as orpheus found her underground she remembered. because he makes her feel alive.
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gideonisms · 3 months ago
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I think we could all stand to unpack our feelings about societal standards of Intelligence and why it's important to us that someone else is less intelligent & capable
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singlecelledbutch · 3 months ago
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comic about joe being touch starved.... had this sitting around for a year and finally cleaned it up!! (combined thing under cut + some commentary I put in the tags originally)
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(screenshotted my tags call that an authors commentary)
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radioducky · 1 year ago
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Lucifer, kissing Alastor a little aggressively: Hey, Bambi.
Alastor, returning it with the same aggressiveness: Good Morning, little King.
Husk: …What the actual FUCK!?
Angel: Did we, uh… miss somethin‘?
Vaggie, exasperated: Ugh, they’re playing some stupid game… ‚gay chicken‘ or whatever the hell that was.
Husk, confused: They play what now??
Charlie, squealing of joy: Gay Chicken!! It’s like a bonding game where they have to pretend to be gay together for as long as they can, and whoever chickens out first loses! Look how wonderful it works already!!
Vaggie: Calm down, Sweetie.
Angel: How in the ever lovin‘ fuck did these two convince themselves to go through with it?
Vaggie: Lucifer accused Alastor of being too scared to play it anyways, but you know how Alastor can be…
Charlie, ecstatic: He didn’t back down and accepted the challenge!
Angel: Well… I’m not gonna lie, it’s hot as fuck though. Husk, how about-
Husk, storming out: NOPE!
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nuttersincorporated · 5 months ago
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Tumblr: A Beginners Guide
Hello and welcome to Tumblr!
If you're new here, this post is a little guide meant to help you understand how things work on Tumblr. I’m going to give you some guidelines and explain a little bit about Tumblr culture. Hopefully, this will help you settle in, avoid unnecessary pitfalls and enjoy your time here. I hope you’ll like it here on our hellsite (affectionate).
1. First and most importantly, please change your userpic and put something on your blog.
If you don’t, other users will think you're a bot and you'll be reported/blocked. It’s nothing personal but we are at war with the bot accounts. Most older users will automatically assume that a blank blog= bot.
You don’t need to do much. If you aren’t comfortable rebloging things or making your own posts yet, just change your userpic and add a short description to your blog.
Here’s an example of a description you can use.
‘Hi! I’m new here. I’m still working out how this place works but I promise I’m not a bot so please don’t block me.’
2. Go to your settings, then to your dashboard settings and change things to how you like them. I suggest-
Make Tumber show you posts in chronologically order, rather than pushing ‘best stuff first’
Pick a colour palate that doesn’t give you a headache
Make Tumblr show timestamps on posts and reblogs. While a post is never too old to reblog, you don’t want to accidentally signal boost something as ‘news’ when it's acutely years out of date and no longer relevant.
Choose not to shorten long posts
3. Go to the top of your dashboard, press on the toggle and arrange things how you like them.
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I suggest pinning your ‘Following’ first. It means that when you go to your dashboard, the first thing you’ll see are the blogs that you’ve actively chosen to follow.
Some older users will tell you that the ‘For You’ page is useless and should be ignore. This is because for a long time it was either non-existent or terrible so most older users – myself included – just don’t bother with it.
However, nowadays it’s fine so use it if you want. ‘Following’ should still probably be pinned first though because you know what you like better than the algorithm.
4. Please don’t censor your words here. Tumblr doesn’t shadow ban you for saying random words.
Shadow banning does happen but it’s mostly at random or because you were targeted by trolls. If it happens to you, you’ll need to fight to get unshadow banned.
The point is that you won’t get shadow banned for saying ‘death,’ ‘murder’ or ‘rape.’ Don’t do things like saying ‘graped’ instead of ‘raped.’ If you do, you’re just going to piss people off and make it harder for people to avoid triggers.
5. Don’t spam the tags!
You can ramble in the tags all you want and nobody will mind. However, if you tag an unrelated post with a popular tag, you will be reported for spamming. It’s against the Tumblr terms and conditions, it’s annoying and it’s something the porn bots do.
When you are making your own post, the tags you use should be to help other people find your post. When you are rebloging other people’s posts, the tags you use should be so you can find that post again if you want.
The other thing that tags are for – both in your own posts and reblogs – is for adding things that don’t really fit in the post itself but you still wanted to say. You can add paragraphs in your tags and no one will bat an eye but if you tag a post with a trending but unrelated tag, that’s spamming.
6. Please, reblog things. It helps posts spread a lot more than liking them does. Think of your blog as a scrap book where you put stuff you like.
If you aren’t comfortable adding to a post, that’s fine. Just reblog it and share it with others.
7. That said, Tumblr posts are collaborative and we like it when you add to them. It doesn’t have to be much. You don’t have to add something every time you reblog a post but it is a part of the fun to do it sometimes.
If it’s an art or fanfic post comments like; ‘good post op,’ ‘I LOVE THIS!’ or even ‘OUCH my heart!!!’ will make an OP’s day.
If it’s another sort of post; you can add your thoughts or join in on committing to the bit. Try matching the energy the post is already giving.
If you aren’t comfortable commenting directly, you can always put it in the tags.
8. The follow and block buttons are your friend. You decide what you see here. If your dashboard doesn’t spark joy, you can always follow someone new and/or follow an interesting tag. If someone is making your time here unpleasant unfollow and/or block them.
9. Tumblr likes to commit to the bit. Sharks are smooth (they are not) and the 1973 Martin Scorsese movie ‘Goncharov’ is the greatest film ever made (it doesn’t exist).
10. A post is never too old to reblog. We like old posts here.
Every now and again, you will see a post that is over ten years old. The reblogs will probably be full of people expressing delight about seeing the original post again or seeing it for the first time.
11. You don’t want to be Tumblr famous.
There are niche blogs that are dedicated to one thing and are well liked e.g. @the-haiku-bot (the one bot we love), @writing-prompt-s and @cantheykillmacbeth. However, they are either side blogs or blogs run by multiple people.
Your main blog should just be somewhere you like to spend your time. There are no benefits to being Tumblr famous on your main blog.
12. Tumblr spreads news with this meme
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13. Tumblr loves dates. Whether it’s the Ides of March (it sure would be a shame if certain world leaders got stabbed), Halloween (which we start celebrating in about July) or just a random day of the week e.g. ‘Out of Touch Thursday’ there is always something happening that you can celebrate.
14. The staff always pulls a silly and harmless prank on Apil Fools Day. Last year we got to boop each other.
15. We like a silly poll
Okay, I think that’s the basics covered. You’ll get the hang of everything else as you go along.
I hope you have fun here and that you manage to avoid Apollo’s dodgeball of prophecy (try not to joke about a specific way things could get worse or you might be hit).
Yours faithfully,
A Tumblr Cockroach
PS If you are a Tumblr oldie, please feel free to reblog this to help out newer users.
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scottie-draws-sometimes · 3 months ago
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"Amnesia was his name
He had beautiful eyes"
I have been thinking about DR Jay so so so much recently. When I say I'm excited for s3, I MEAN IT. I need my beloved (Jay Ninjago) to return from the war (finally get attention in the show again)
(click images for better quality + w/o lightning under the cut)
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sayakxmi · 3 months ago
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Shindou: Coach Kuroiwa, can you do some coaching?
Coach Kuroiwa:
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beatledumpster · 3 months ago
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alex james' tenuous grasp of basic conversational french
(also the host hates them so much)
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snekdood · 1 year ago
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"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.
#i dont think you realize how repelling you and your politics are to everyone else#you get all of your validation for how Smart You Are from your friends and ignore any kind of feedback that suggests you should#change or do something differently. thats the only reason you're so convinced average people will go along with you bc you keep getting#affirmation from the people who ALREADY agree with you- but you have NO IDEA how to bridge the gap between people who agree#with you and disagree with you. you're horrible at convincing people of your side of things outside of straight up guilt tripping them#or bullying them like a highschooler. im sorry but the tools you learned to survive with as a kid aren't gonna help you in this situation.#the ONLY THING you can come up with to bridge that gap is a bloody revolution. thats how bad you are at this.#and you're also so bad at this and unimaginative that you dont even realize how THAT might not even be enough.#you cant imagine ANY kind of avenue to getting people to change AT ALL outside of blood and fire. and thats why people call you#an authoritarian.#i'll be honest- i really do think the world would be a better place if we did incremental change under a democratic president who wont#set the world on fire vs the godkingemperor republican WHO WONT EVEN LISTEN TO YOU AT ALL EVER AND MIGHT KILL YOU#FOR PUTTING UP A STINK. idk if you noticed but if that evil fuck gets into office we are severely outnumbered if he gets police#n shit to go after his own citizens. letting trump win is making this battle so much harder than it needs to be.#you are choosing trying to fix the world while its exploding vs trying to fix it before it explodes at all.#what is this like a procrastination thing? you wanna wait till the last minute to try? idfgi. wtf is wrong with you#throwing minority lives away to prove a point. and then you try to tell me you care. gtfoh.#accelerationists should never be taken seriously.
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pocketramblr · 1 year ago
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fun as all the various other quirks-in-ofa manifest first are, i am now musing on a "the first power to manifest is the vestiges" au where Izuku, still functionally quirkless, is in the middle of the entrance exam when he uhhh summons seven and half ghosts who were not prior to this fully aware and/or paying attention.
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s0fter-sin · 9 months ago
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fainting goat hybrid!ghost whose father and brother loved to scare him and make him faint; exploiting a weakness he didn’t understand and didn’t know how to stop. they took sadistic pleasure in watching his body lock up and fall to the ground with no hope of catching himself until he ended up with more bruises and scrapes from falling than from being beaten
that helplessness chafed at him and he forced himself through the drawbacks of his biology to secure a place in the military, even with the prejudice against prey animals. just for him to take a mission in mexico and find himself enduring the “hospitality” of roba who thinks his involuntary paralysis is a great deal of fun; especially when he learns he’s conscious the whole time
what haunts ghost most is his waking autopsy
not the pain of the incisions, not the trauma of watching roba reach into his body and play with his insides, but the knowledge that he couldn't get away because his own body betrayed him. he wasn't put under, no drugs coursed through his system. he didn’t have restraints fitted on him to lock him to the operating table. it wasn’t necessary
roba just had to make him faint first
after digging himself out of his grave, ghost puts himself on a dangerous cocktail of muscle relaxers and other medications; hormones that block hybrid instincts, vasodilators to increase blood flow and stop his muscles locking up, anti-anxiety meds to cut off his surprise response at the root. he puts his body through the wringer to the point that medical is constantly worried for his health and shocked that he isn't regularly OD’ing
but he will never let his body betray him again
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